Improvisation
IMPROVISATION
Mario
D’Couto
While sticking to order and details in performing a particular
task, one does not lose in playing with what one has in hand. This in one word
is called “Improvisation”.
Improvisation is a phenomenon that is quite common among
musicians, most notably among jazz musicians. However, this can also be applied
in other aspect of life. A person giving a speech suddenly goes off track, uses
instances, anecdotes or just speaks extemporally (of course within the confines
of the topic) is another classic example of improvisation. In a sense,
improvisation can also be compared to surfing. Whenever a huge wave comes, it
is up to the task and the skill of the surfer to overcome or surf along the
wave.
There are positives to take from this phenomenon,
1.
In improvising, a single performance is
much faster and cheaper than scripting or composing one. Miles Davis, the
famous jazz trumpeter, who wrote the piece, “Kind of Blue”, never intended it
to be what it became. But the irony was that what happened spontaneously became
an immediate sensation. Quincy Ones, the revered producer of Frank Sinatra and
Michael Jackson said, “I play ‘Kind of
Blue’ everyday – it’s my orange juice. It still sounds like it was made
yesterday.” The beauty of this piece (or album, if you would like to call
it that way) was, to put it in the words of the jazz fusion pioneer Chick
Correa, “It created a new language in
music.” Besides, it took them less than nine hours to record the piece. Compare
that with Beatles’ masterpiece “Sergeant
Pepper’s Lonely Hearts Club Band” which took around seven hundred hours. Being
quick and cheap isn’t everything but it isn’t nothing either (we’ll come to
that later).
2.
Another great benefit from this is the
flexibility that it allows. This means to say that while one has prepared one
has the freedom to go back and forth.
Speed, economy and flexibility: these are the 3 advantages
that make the messy process of improvising appealing or even convincing.
Improvising musicians shut down their inner critics. People
who improvise (not only in music but other fields also) stop filtering their
ideas and allow the mess of new ideas to flow out. It is no wonder that at its
best, improvisation can produce flashes of pure brilliance.
Charles Limb, a neuroscientist, a surgeon at the
University of California, San Francisco and a fanatical jazz saxophonist says
that most often we filter too much. He says, “Taken to the extreme, maybe it
squashes creativity. So rather than suppressing all these ideas, the
improvising brain lets or should let them go.” To improvise is therefore to let
go or lose control.
Of course, there are certain parameters to be maintained.
Just because to improvise is to let lose does not imply in the least that we
can do anything. For instance, while jazz music may seem like a combination of
random notes being played at great length and great speed, they all fit very
well within the sequence of chords played. In a speech, even if one may want to
improvise, it has to be within the confines of the topic as mentioned earlier. One
cannot speak off one’s hat.
Even in the business world, if the company or an organization wants to experiment
with a new product, it has to keep the society, the law and other nitty-gritties
in mind. Some of the biggest industries in the world started off with nothing
and kept improvising by studying the market.
Another aspect to note is that one can improvise only if
one’s foundation is strong. So, this means that one has to do his/her
groundwork in order to improve. Isn’t that obvious? How can we talk about
improvisation if the basics and advance skills are not in place? You cannot build a building without first
laying the foundation stone. This is what is meant when we say, “Being
quick and cheap isn’t everything but it isn’t nothing either.”
Last of all, being able to improvise also implies being
able to navigate through dark alleys. For as noted earlier, improvisation is
closely linked with adaptation. How well you can adapt in life is what will
take one forward.